Adobe premiere sequence settings

Double-click on the name to highlight and rename the sequence. That's it. We've created our new sequence that matches our footage settings. We've renamed it and created a new bin where we'll keep any new sequences that we create for our project. Step 2 : On the left hand side, navigate down to which preset options you'd like to set for your project.

Click on ' settings ' in the upper tab and specify any other settings that you'd like for your sequence. Step 3 : Once you have your settings as you'd like them, hit 'Save Preset' at the bottom of the window. Step 4 : You can now name your new preset and add any other descriptive words as needed.

You'll now see your preset populate in the 'Sequence Presets' menu and you can choose it from that menu for any future project in Premiere Pro. Everything you need to know about creating and customizing your own keyboard shortcuts to save time and energy while editing.

This is the key to being a faster, more efficient, and overall better editor. Sharing my exact folder structures! The dreaded missing media 'red screen' happens to the best of us, so don't sweat it.

Lucky for us, Premiere Pro has made it fairly quick and simple to reconnect multiple files at once so you can get back to editing in no time. Learn exactly how to control the speed of your clips in Premiere Pro, as well as how to fix playback lag. I love having a pancake lens. It's my go-to around the house and travel lens. Here's my favorite and why. Email address:. Your email address will not be published.

Save my name, email, and website in this browser for the next time I comment. So you've opened up Premiere Pro and you're ready to dive into your edits. Now it's time to create a new sequence for your video project. Contents hide. Hi, I'm Beth. I started Handcraft Films to give other filmmakers and photographers the gift of documenting their own stories for years to come.

I hope you'll learn something new and share your creativity here. However, what if you are going to edit or export 4K videos? Do you have to use separate sequence settings? Interestingly, yes. You will need to tweak a few settings in the sequence settings to get the best result in exporting 4K videos in Adobe Premiere Pro.

In the case of 4K videos, almost all the settings will be similar to the previous settings except for the resolution or frame size. After that, you can save this preset and name it differently from the p settings above. So that it is recognizable as the sequence settings for the 4K or UHD videos.

Now that you know the best sequence settings for editing in Adobe Premiere Pro. We will share the settings and options to choose when exporting any videos with these sequence settings.

For the record, we are going to describe 2 different export settings. Depending on your preference, you can try either of these. You will be asked if you would like this sequence to conform to the properties of your footage.

Hit Always Ask if this checkpoint is helpful to you on a regular basis. For most video projects, this will be a safe place to begin.

For more advanced projects, however, your needs may vary. Sequence presets are Adobe's way of compartmentalizing these specifications so that they can be used quickly and freely throughout your project pipeline. After a sequence has already been created, Premiere will prevent you from changing some attributes, such as your timebase settings.

Your timebase settings determine the rate at which the footage will be played back to you within the program—locking these settings ensures that no technical hiccups interrupt your workflow.

For this reason, it's a good idea to already know what you need before selecting a preset. You will be asked to choose one any time that you create a new sequence. Let's say that you're starting a new project. Open up Premiere and create one. After you've done so, right-click into a bin and select Sequence under New Item. The screen that follows will present you with many sequence presets, ready to go.

You can modify any of their attributes by selecting one and clicking over to the Settings tab. You can use any of the following shortcuts when entering timecode:.

You can also position the Selection tool over the timecode value and drag to the left or right. The farther you drag, the more quickly the timecode changes. When you have a long sequence of clips, many of them are out of view. If a clip is out of view, scroll horizontally in your sequence in the Timeline panel.

For each of these commands, the Timeline panel need not be selected, however, your mouse must hover over the Timeline panel. When video or audio clips are stacked up in tracks on the timeline, they can sometimes be hidden from view. If a clip is out of view, scroll vertically in your sequence in the Timeline. Do one of the following to scroll vertically in a sequence in the Timeline. You can arrange, edit and, add special effects to clips in the video and audio tracks of the Timeline panel.

You can add or remove tracks as needed, rename them, and determine which to affect by a procedure. New video tracks appear above existing video tracks, and new audio tracks appear below existing audio tracks. Deleting a track removes all clips in the track but does not affect source clips listed in the Project panel. You can add a track as you add a clip to the sequence. See Add a track while adding a clip. With the Timeline panel active, right click the track and select Add Track from the drop-down list.

The Add Tracks dialog box opens. An audio track can accept only audio clips that use the matching channel type—mono, stereo, or 5. With the Timeline panel active, right click the track and select Delete Track from the drop-down list. The Delete Tracks dialog box opens. By enabling Sync Lock on tracks, you can determine which tracks are affected when you perform operations like insert, ripple delete, or ripple trim. If a clip is part of an operation, the track shifts regardless of their sync-lock state.

The other tracks shift their clip content to the right only if their sync lock is enabled. The Sync Lock icon appears in the box, and Sync Lock is enabled for those tracks. To disable Sync Lock on one or more tracks, click, or Shift-click for all tracks of a type, the Toggle Sync Lock box again so that it contains no Sync Lock icon.

Locking an entire track is useful for preventing changes to any clips on that track while you work on other parts of the sequence. In a Timeline panel, a pattern of slashes appears over a locked track. Although clips in a locked track cannot be modified in any way, they are included when you preview or export the sequence.

If you want to lock both a video track and a track with corresponding audio, lock each track separately. When you lock a target track, it is no longer the target.

Source clips cannot be added to the track until you unlock it and target it again. You can exclude video or audio clips in any track from previews and export. Clips in excluded video tracks appear as black video in the Program Monitor and in output files. Clips in excluded audio tracks are not output to the Audio Mixer, to the speakers, or to output files. Adjust the tint values in the shadows and highlights using the Shadow Tint and Highlight Tint wheels. Wheels with empty centers indicate that nothing has been applied.

To apply the tint, click in the middle of the wheel and drag the cursor to fill in the wheels. Click to hide the Eye icon for video or the Mute icon for audio at the left edge of the track. Each icon is a toggle switch. Click its box again to display the icon and include the track.

Excluding a track with the Eye icon does not exclude it from outputs. If excluded tracks hold clips that run before or after clips on non-excluded tracks, black video appears before or after the last clips in the non-excluded tracks. To trim this ending black video from the output files, set the In point and Out point as desired in the Export Settings dialog box. To exclude all video or all audio tracks, Shift-click to hide the Eye icon for video or the Speaker icon for audio. It excludes all tracks of the same type.

Shift-click its box again to display all the icons and include the tracks. You can customize the tracks in a Timeline panel in several ways. You can expand or collapse tracks to display or hide track controls. Choosing from several display options, you can control how video and audio clips appear on a track. You can change the size of the header area or move the boundary between the video and audio tracks to display more tracks of either type.

You can expand a track to display track controls. Increase the height of a track to better see icons and keyframes or to display larger views of video track thumbnails and audio track waveforms. To resize the track, position the pointer in the track header area between two tracks so that the height adjustment icon appears.

Then drag up or down to resize the track below for video or the track above for audio. You can expand an audio track to use the audio fade line for either individual clips in that track or for the entire audio track. To resize the track header section, position the pointer over the right edge of the track header so that the resize icon appears.

Then drag the right edge. The icons at the top of the track header limit its minimum width. The maximum width is about twice the minimum width.

To customize the style of the video track, click Timeline Display Settings, the wrench tool on the timeline panel. The checkbox for Display the project item name and label color for all instances has been moved to Timeline Display Settings.

For information about viewing and adjusting keyframes in video and audio tracks, see View keyframes and graphs.

You can create a sequence by dragging the asset to the New Item button at the bottom of the Project panel. You can also create a sequence by using a sequence preset.

The sequence presets included with Premiere Pro include the correct settings for common types of assets. For example, if you have footage mostly in DV format, use a DV sequence preset. For more information, see Sequence presets and settings. Instead, change your export settings later. When a merged clip is used to create a Sequence from Clip, there are empty stereo audio tracks, depending on the media format. You can delete the empty stereo audio tracks if you want.

You can create a sequence from a selected clip which matches its attributes by doing the following:. The sequence settings must be correct when you create the sequence.

Sequence settings like timebase are locked once the sequence is created. It prevents unwanted inconsistencies that could result from changing sequence settings later. When creating a sequence, you can select from among the standard sequence presets.

Alternatively, you can customize a group of settings, and save the group in a custom sequence setting preset. If you want full control over almost all the sequence parameters, start a new sequence and customize its settings. Creating a sequence opens the New Sequence dialog box.

Available Presets are groups of sequence settings. Premiere Pro comes with several categories of sequence settings presets installed, like the following:. These sequence settings presets contain the correct settings for the most typical sequence types. If you must change sequence settings that are unavailable, you can create a sequence with the settings you want. Then move the contents of the current sequence into it. A sequence can contain different types of assets, in different formats, and with various parameters.

However, Premiere Pro performs best when the settings for a sequence match the parameters of most of the assets used in that sequence. To optimize performance and reduce rendering times, find out the asset parameters for the primary assets you want to edit before creating a sequence. After learning the asset parameters, you can create a sequence with settings to match. Before capturing assets from a tape-based device, learn these parameters also, so that you can select the correct capture settings.

Asset parameters include the following:. You can use the Properties panel to discover many of these parameters for your assets. For more information, see Viewing clip properties. Assets can use codecs not supported natively by Premiere Pro. Often, you can edit these assets after installing the relevant codecs. However, beware of installing untested codecs that introduce severe problems with your computer system. To customize most sequence settings, you must start a new sequence, select an existing preset, and change its settings.

Every editing mode does not support every possible frame rate. To create a custom preset with, for example, a Then, select In the Sequence Presets tab of the New Sequence dialog box, select the preset that matches your video footage or the requirements of your capture card. If you create a custom sequence with Custom settings accessed in the Editing Mode drop-down list , you do not have to select a preset before clicking the Settings tab.