Psicosis 448 sarah kane pdf

Solamente espero por dios que la muerte sea el final. Estoy harta de la vida y me mente quiere morir. Un silencio. No es culpa tuya. Estas enferma. Estoy deprimida. Es lo que hiciste, quien estuvo a quien le echas la culpa. Cuerpo y alma no pueden estar juntos Tengo que transformarme en quien ya soy y voy a vociferar eternamente ante esta incongruencia que me ha entregado al infierno. La insoluble esperanza no me puede sostener. No es vida que pueda aprobar.

En fin, la verdad es que me siento un poco manipulada. Nadie me toca, nadie se me acerca. Porque no te encuentro. Mierda por rechazarme al no estar nunca, mierda por hacerme sentir una mierda, mierda por desangrarme todo el amor y toda la vida que tenia, mierda mi padre por hacerme mierda la vida para siempre y mierda mi madre que no se fue a la mierda y lo abandono, pero sobre todo, mierda Dios por hacerme amar a una persona que no existe, MIERDA MIERDA MIERDA.

Mucha gente lo hace. Demasiado cuerdo y sensato. Pero no toques. Pero tienes que hacer responsables de tus propios actos. Por favor no lo vuelvas a hacer. Los no-negociables. Hoy no. No me desconectes la mente tratando de enderezarme.

Lo permites. No voy poder trabajar. Sertralina, 50mg. Empeoro el insomnio, ansiedad severa, anorexia, perdida de peso 17 kgs. Se discontinuo luego de sarpullidos. La paciente amenaza y no coopera. From its beginning to an end, the play can be read as a conflict between the inwardness and the alienating externality that is represented in various forms. How can I speak again? In the first part of the play the lyricism can thus be perceived as something positive that needs to be protected from the alienating external world.

What served first as an asylum in which the Self is hidden from the tyranny of the reason or the tyranny of the reality becomes tyranny itself - the tyranny of the madness. This way the interior as a counterpart of the alienating externality is unmasked and deconstructed as something that in fact belongs to the same tyranny. Ironic Tendency The term unmasking is an expression of the second movement and of the second genre, which is an irony.

While in the context of romance, the life is represented as the overcoming of the limited, the edifying of the earth- bounded or the following the vision or the ideal, irony can be understood as degrading and unmasking, as the perspective where the life is shaped by disillusion, skepticism, and resignation.

By understanding the tendency of the play as ironic we can grasp the play as a whole, mainly with respect to its ambiguous ending. You can hardly see these passages in another way than as irony. The subject is revealed in its emptiness that needs to be filled in from the outside. Nevertheless this subject can only be confirmed at the moment that it is vanishing.

The statement about the genuine Self hidden at the other side of the soul might sound romantic, if only it did not exist in the context of this ironic motion. Here, the soul is made visible and filtered through the irony at the moment when the unmasked deconstructed subject is vanishing. Not only the unmasking, deconstruction of the alienating externality, but internality as well — the whole way of establishing a subject with its borders that define the inside and the outside.

We cannot run away from the external world and hide in the internal one and the other way around. To do so, we would need the curtain to open. Unsuccessfully, she looked for a solution in life and in art. Her depression was also existentially anchored in hopelessly cruel world. Sarah finally saw the creative process as destructive as well.

It is possible to think that she found meaning in death, and that therefore even suicide appeared to her as a meaningful exit from the vicious circle. Our alternative reading of the text Psychosis 4. That is why we can conceive of it as a suicide note.

However, her play is also much more than that, and it is also clear that it was not written primarily as a suicide note. References Frye, N. Chrz, V. Chrz eds. Jamison, K. Knafo, D. DMCA and Copyright : The book is not hosted on our servers, to remove the file please contact the source url.

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Loved each and every part of this book. I will definitely recommend this book to plays, drama lovers. Your Rating:. Your Comment:. Home Downloads Free Downloads 4. In stock [PDF] 4.